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FIR Against Academics For Writing That Narendra Modi Government Was A Silent Spectator During The Gujarat Riots

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Three academics and a publisher have been booked under Section 153 A of the Indian Penal Code (IPC) (promoting enmity between different groups) for writing about the 2002 Gujarat riots and the Narendra Modi-led Bharatiya Janata Party (BJP) government which was in power when communal violence erupted in the state.

Modi, now prime minister of India, was chief minister of Gujarat during the 2002 riots.

The complaint accuses them of "misguiding our upcoming students on our well-known Prime Minister," The Indian Express reported today.

The paragraph in question first appeared in 2006 in the last chapter of a reference or guide book published by the Assam Book Depot for Class 12 students, according to the report. The chapter, 'Recent Issues and Challenges' has a sub-section called 'Godhra Incident and Anti-Muslim Riot in Gujarat'.

The translation from Assamese provided by The Indian Express reads:

"In this incident [burning of coach] 57 persons died including women and children. On the suspicion that Muslims were behind the incident, next day Muslims were mercilessly attacked in different parts of Gujarat. This violence continued for over a month and over a thousand people were killed. Most of those killed were Muslims. Significantly, at the time of the violence, the Narendra Modi-led BJP government was a silent spectator. Moreover, there were allegations that the state administration helped the Hindus."

The FIR against the writers has been lodged at Assam's Golaghat Sadar police station, India Today reported. Assam's education minister Siddhartha Bhattacharya remains silent on the issue, The Assam Sentinel reported.

Over 1,000 people — mostly Muslims — lost their lives in the violence that followed the burning of a coach in the Sabarmati Express, which was carrying kar sevaks returning home from Ayodhya. Fifty nine kar sevaks, including 29 women and 10 children, were killed in the train burning near the Godhra railway station in Gujarat in February 2002.

In 2012, the Supreme Court-appointed Special Investigation Team (SIT) gave Modi a clean chit in the post-Godhra violence. In 2013, the Supreme Court rejected a petition challenging the clean chit given to Modi and requesting a fresh probe.

Complainants Saumitra Goswami and Manab Jyoti Bora, according to The Indian Express, argue that the investigation ordered by the Supreme Court gave a clean chit to Modi. With reference to the paragraph in question, the complainants say, "By this, the authors (are) trying to draw an ill image of our beloved PM of the largest democracy by putting communal colour."

Also Read: Subramanian Swamy Says Ravan Was Not Dravidian, Born Near Delhi

The authors are Durgakanta Sarma, former head of department of Political Science from Arya Vidyapeeth College in Guwahati and has passed away, Rafiq Zaman, former Head of Department (HoD) of Political Science from Goalpara College, and Manash Pratim Baruah, HoD of Political Science at DK College in Mirza near Guwahati.

Speaking to India Today, Baruah said, "The book is written based on an NCERT textbook and was first published seven years ago. We have not written anything, which is not in the public domain. There are several other books, including ones prescribed by the NCERT, that have the same content regarding the Gujarat riots."

"We fail to understand why they have singled us out," he said.

Goswami, a businessman based in Golaghat, told the The Indian Express that he had registered the complaint as a concerned citizen. "Saying that the Gujarat government at that time was a 'silent spectator' is saying they supported the violence. But in 2011, a clean chit was given to our now PM. So why does the book not mention the clean chit? It's misleading and should be banned or taken off the market..." he said.


Angry Locals Set Fire To Police Stations After Maoists Kill TDP MLA And Leader

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Representative image.

Violent protests broke out in Andhra Pradesh on Monday after Maoists killed two Telugu Desam Party (TDP) leaders, one of them an MLA, on Sunday.

TDP's Araku MLA Kidari Sarveswara Rao and former MLA of the same constituency Siveri Soma were shot dead while returning from an event in Araku valley.

NDTV reported that angry locals set fire to police stations in Dumbri Guda and Araku in the aftermath of the assassination of the two leaders.

The cars of the two leaders were reportedly stopped by an group of armed Maoists, who spoke to the leaders for a short time before shooting them at point-blank range.

While eyewitnesses have said that the Maoists argued with the leaders over the issue of mining in the area, some tribal leaders have claimed that this was a message by the Maoists to the government of the state.

The Indian Express quoted Girijana Sangham Secretary P Appalanarasa as saying, "The Maoists wanted to make a statement because the Andhra Pradesh government has been claiming that Maoists have been eradicated from the state. The ruling party MLA and former MLA became soft targets of a counter attack. Maoists may have also wanted to send a message to the Centre after the arrest of P Varavara Rao and other activists."

Appalanarasa also told the newspaper that Maoists had never killed anyone in the state earlier over mining.

Andhra Pradesh Chief Minister N Chandrababu condoled the death of the leaders saying:

The Maoists also reportedly snatched weapons carried by the security personnel of the leaders and escaped using human shields, NDTV reported.

The Araku valley had been reportedly free of violence of this nature for four years before Sunday's murders shattered the calm.

The police have said that the Maoists had declared this week as formation week, and that political leaders had been asked not to venture into Maoist areas.

Pakistan's 'One-Trick Pony' Act Won't Find Resonance At UN, Says Syed Akbaruddin

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Syed Akbaruddin in a file photo.

NEW YORK -- With Pakistan expected to rake up the Kashmir issue during the high-level UN General Assembly session this week, India said a "one-trick pony" can "regurgitate" the same act but "single act plays" have no resonance on multi-lateral platforms like the United Nations.

India's Permanent Representative to the UN Ambassador Syed Akbaruddin said the UN General Assembly session is a global platform to address global issues, yet each country is sovereign and can do what they feel is in their best interests.

"If somebody else would like to be a one-trick pony, it is for them to regurgitate and act. We have handled this act many times in the past and are confident that we will do so again," Akbaruddin told reporters here Sunday.

He was responding to a question on Pakistan expected to rake up the Kashmir issue "at a higher decibel" during the high-level session of the 73rd UN General Assembly beginning at the world body's headquarters Monday.

"Our contention is that the UN works best on multilateralism and multi-lateral platforms work best when nations work in partnerships.

"Single act plays have no resonance in such matters. Anybody can try and be a solo player.

However solo players in a multi-lateral context have neither the past or a future," he said adding that it is a country's call on how they spend the time allocated to them during the UNGA session.

India works in partnerships, Akbaruddin said, adding that India is proud that its priorities during the General Assembly have great resonance in the international community.

Pakistan has consistently used the platform of the UN General Assembly to rake up the Kashmir issue and its leaders have sought to internationalize it during their addresses in the General Debate.

India responds strongly to Pakistan, whose attempts to raise the Kashmir issue every year at the multi-lateral forum have found no resonance with the international community.

Following India's acceptance of Pakistan Prime Minister Imran Khan's request for a meeting, External Affairs Minister Sushma Swaraj and her Pakistani counterpart Shah Mahmood Qureshi were slated to meet on the sidelines of the General Assembly.

However, India called off the meeting, citing the brutal killings of three policemen in Jammu and Kashmir and Islamabad releasing postage stamps "glorifying" Kashmiri militant Burhan Wani.

Khan had tweeted that he is disappointed at the "arrogant and negative" response by India to his call for resumption of the peace dialogue.

When asked about Khan's response, Akbaruddin said India is a multi-literalist nation and responds to multi-lateral issues of a global nature that it is confronted with.

What you have raised is an issue relating to our bilateral ties. Those will be addressed bilaterally in the format that we desire to address them.

On whether India will raise strongly the issue of cross-border terrorism during the UNGA session, Joint Secretary for UN Political in the Ministry of External Affairs Dinesh Patnaik said the issue of cross-border terrorism has been raised by the country since 1996 when it put in the idea of the Comprehensive Convention on Terrorism. Akbaruddin said the scourge has been and is a concern for India.

"It's a global concern. Terrorism is threatening countries across vast spades of land in diverse continents," he said adding that terror outfits such as Boko Haram and Islamic State are a threat to several countries across Africa and West Asia.

"Even in our neighbourhood, terrorism has increased as a major threat. This has been our perennial concern and obviously perennial concerns will be articulated in unison with many other countries who are raising this," he said.

Pakistan's foreign minister Shah Mahmood Qureshi is expected to highlight the situation in Kashmir during his the General Assembly address, Pakistani media reported on Monday.

Qureshi arrived in New York over the weekend and is scheduled to address the annual world body session on September 29.

Puff Pieces, One-Sided Reports Ahead Of Elections Are Paid News: Election Commission To SC

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Representative image.

Repeated publication of articles praising the achievements of a specific candidate in an election amounts to "paid news" according the Election Commission (EC), The Hindu reported.

The EC made this observation in a Special Leave Petition filed in the Supreme Court appealing against a decision of the Delhi High Court given on 18 May to set aside the disqualification of the BJP-led Madhya Pradesh government's cabinet minister, Narottam Mishra.

In the petition, the EC also asked the court to declare whether it amounts to "paid news" if widely circulated daily newspapers cover statements issued by, and in the name of, a candidate that are not only laudatory of his or her record and achievements but also are a direct appeal to voters by the candidate. It argued that politicians cannot say that spewing "motivated propaganda" is part of their fundamental right to free speech.

The EC on June 23 last year had disqualified Mr. Mishra for not filing the accounts for money spent as election expenses on news items. When Mishra appealed against this, a Division Bench of the Delhi HC had concluded that the BJP leader was merely exercising his fundamental right to freedom of speech and expression. Mishra is a Cabinet Minister in the Shivraj Singh Chouhan government in charge of public relations and other portfolios.

"If such motivated propaganda is allowed in the garb of free speech during the election period, candidates with a strong network of connections and undefined relationships will exploit their sphere of influence in society and will have the unequal advantage of encashing such silent services," the EC, represented by advocate Amit Sharma, said in the above cited special leave petition.

The EC's National Level Committee on Paid News found that five newspapers, with a wide circulation, had published 42 news items that were "biased and one-sided and aimed at furthering the prospects of Mr. Mishra". Some of the reports were advertisements in favour of him. The committee concluded that the items fitted the definition of "paid news".

Indian Navy Commander Abhilash Tomy Rescued 3 Days After His Boat Was Caught In A Storm

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India's Abhilash Tomy poses on his boat 'Thuriya' in Les Sables d'Olonne Harbour, on June 29, 2018.

NEW DELHI -- Indian Navy sailor Commander Abhilash Tomy was rescued from the Indian Ocean on Monday, three days after he suffered a severe injury when the main mast of his boat was ripped off in a storm, officials said.

Tomy was sailing his boat as part of the Golden Globe Race (GGR) - a solo sailboat race around the world -- when his boat was damaged in the storm about 1,900 nautical miles from Perth, Australia.

Tomy was battling for life on the dismasted sailboat Thoriya with a severe back injury, the officials said.

The Australian Rescue Coordination Centre at Canberra was coordinating the rescue mission in cooperation with many agencies, including the Australian Defence Department and the Indian Navy.

The Indian Navy deployed its P-8i surveillance aircraft to as part of the rescue mission, officials said.

8 Artists Taking On The Big Global Challenge: Climate Change

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We are bombarded with evidence of climate change. We can see the impacts through scorching summers, wildfires and increasingly intense extreme weather events. We hear about it through terrifying scientific reports that say we have just a few years before we’ll have missed the boat on holding back our slide into catastrophic climate change. And yet few people act; most don’t even talk about it.

Increasingly, artists are trying to use their work to beat back a sense of apathy and inaction, to visualize the effects and threats of climate change.

For some, this means using empathy and emotion to try to reach people; for some, it’s turning to technology to engage people in a virtual image of what our future will look like if we don’t change course; still for others, it’s about making a brutal reality visible and tangible for people, even when their own hope in change has dissipated.

Here we look at eight artists taking on the ultimate subject: climate change.

‘Climate Signals,’ Justin Brice Guariglia

Ten solar-powered highway signs have appeared across New York City providing orange LED warnings of climate doom. The signs by artist Justin Brice Guariglia form an installation running in each borough of the city between Sept. 1 and Nov. 6 as part of a project for The Climate Museum.

The signs are located in areas particularly vulnerable to climate change and are in the languages frequently spoken in that particular neighborhood. They flash a number of messages including “Climate Change At Work” and “Fossil Fueling Inequality.” 

“The arts are a critical vector for climate engagement,” Miranda Massie, director of The Climate Museum, told HuffPost. “Only 5 percent of us speak about [climate change] with any regularity. We need a cultural transformation to break that silence ― we need to offer diverse pathways into climate dialogue and action, including soft ones. Art is a crucial pathway because it works through emotion and the senses, and because it provokes without prescribing.” 

‘Ice Watch,’ Olafur Eliasson

Danish-Icelandic artist Olafur Eliasson’s work involved transporting 12 blocks of ice that came from free-floating icebergs from the Greenland ice sheet, then arranging them in a clock formation to indicate the passing of time. The ice sculptures were left to slowly melt. 

His first installation was in Copenhagen in 2014, the second in Paris to coincide with the United Nations climate change conference in December 2015. 

He firmly believes art has the power to make a difference. “There is a tendency today to feel untouched by the problems of others, to shut down at the immensity of an issue like climate change,” he told HuffPost. “Just informing people, giving them knowledge, often leaves them feeling overwhelmed and disempowered.” But a piece like “Ice Watch,” he said, “offers people an immediate experience of the reality of climate change ... It makes the larger world felt. It is my hope that this encounter and the feelings it evokes can spur action and move worlds.”

‘Unmoored,’ Mel Chin

Pedestrians walk past artist Mel Chin's mixed reality climate change themed art installation,

New York City is one of the world cities most vulnerable to sea level rises – by 2100, scientists predict sea levels could be up to 75 inches higher than they are today along the city’s coastline and estuaries.

Artist Mel Chin’s Times Square multimedia installation, “Unmoored,” sought to show New Yorkers what their city might look like deep under water. A 60-foot high sculpture of a shipwreck sat in the square, while viewers used smartphones to see the underside of virtual ships floating far above their heads. 

“It is a surreal experience invented to connect us with our reality,” Chin said at the opening of the installation.

“We should (and may) die trying to render climate change issues perceptually accessible as a means to reactivate wonder and rekindle empathy,” he told HuffPost, 

‘The peo-ple cried mer-cy in the storm,’ Allison Janae Hamilton 

On an island at Storm King Art Center, in Mountainville, New York, are three vertiginous stacks of tambourines all painted white. They form an installation by Kentucky-born, Florida-raised artist Allison Janae Hamilton. The title – “The peo-ple cried mer-cy in the storm” – comes from a 1928 hymn, “Florida Storm,” written about the Great Miami Hurricane, which in 1926 devastated large parts of southern Florida, killing nearly 400 people.

Hamilton says the piece also references the Okeechobee Hurricane of 1928, which claimed between 2,500 and 3,000 lives in Florida and the Caribbean. Many of those in Florida who lost their lives in the disaster were black, migrant farm workers who were later buried in mass, unmarked graves. 

“As climate change continues to threaten our environments, so increases the vulnerability of those already exposed to longstanding environmental injustices,” Hamilton told HuffPost. “Through the narratives in my artwork, I explore the changing climate as a palpable, human experience.”

‘What Future Do You Choose for Miami?’, Miami Murals/Before It’s Too Late

A viewer uses their smartphone to view ‘What Future Do You Choose for Miami?’, an augmented reality mural in the city.

Miami has been called the ground zero of climate change. By 2030, Miami sea levels are projected to rise by six to 10 inches above 1992 levels. Extreme weather events have battered the city – 2017′s Hurricane Irma swept through Florida leaving a trail of devastation in its wake and claiming more than 80 lives in the state. 

A group of artists and technologists, anxious to better engage people in the threats posed by climate change, have banded together to create an augmented-reality mural in the city under the banner of an initiative called “Before It’s Too Late.”

The 96- by 14-foot mural features a canary, designed to symbolize the city’s status as a “canary in the coal mine” when it comes to climate change.

Viewers download an app that allows them to point their smartphones at the wall and see it come to life by way of an augmented-reality film. The film shows two future realities for the city. In one, no action is taken and the city becomes unliveable – flooded, decaying and dirty. The second shows a hopeful future powered by renewable energy.

“Our message is in order to create change for a better future, we have to first be willing to shine the mirror on ourselves as we are each participants who help create the moral and cultural values of this world,” “Before It’s Too Late” founder Linda Cheung told HuffPost.

‘Western Flag (Spindletop, Texas 2017),’ John Gerrard

Western Flag (Spindletop, Texas 2017), a virtual art installation by Irish artist John Gerrard, uses a haunting image to symbolize our complex relationship with oil.

Spindletop, Texas, is the site of the world’s first major oil discovery, made in 1901. Where once 100,000 barrels of oil were extracted in one day, the land is now barren. Irish artist John Gerrard flew a drone over the area, taking 10,000 to 15,000 photos, to recreate it virtually for his artwork Western Flag.

The focal point of his work is a towering, computer-generated flag belching out black smoke. The flag runs as if in real time: The landscape turns dark when the sun goes down in Texas and is lit during the daytime. 

Gerrard wanted to take on oil as something that is central to our reality, a material that has become essential to the way we live our lives both in terms of the advantages it provides and the climate damage it causes. 

The flag aims to make manifest this uncomfortable dichotomy. “One of the greatest legacies of the 20th century is not just population explosion or better living standards, but vastly raised carbon dioxide levels in the atmosphere,” Gerrard told HuffPost. “This flag gives this invisible gas, this international risk, an image, a way to represent itself.” 

‘Cascade,’ Alexis Rockman

Cascade, 2015, oil and alkyd on wood, Collection Grand Rapids Art Museum

Alexis Rockman has been tackling climate change through his art since 1994, when a paleontologist described the danger heading our way and why he was frightened about it. Rockman decided to used his position as an artist “to visualize these things that were very abstract and remote in terms of people’s life span and comprehension,” he told HuffPost.

“I realized that art was one of the few places where you don’t have censorship pressure from capitalism from powerful industries,” he added. “They don’t have a say if you decide to focus on ideas that might challenge their business model.”

Many of his images show landscapes ravaged by climate change and environmental destruction. “Cascade” is part of his “Great Lakes Cycle,” a series that explores the past, present and future of America’s Great Lakes. These lakes form one of the most important ecosystems on the planet, holding over 20 percent of the world’s freshwater reserves. But they are exploited and vulnerable to climate change. Rockman depicts both their beauty and the devastating threats they face. 

When asked if he thought art can spur change when it comes to global warming, he replied: “No. When there is open warfare on empirical facts my feelings include rage and disgust to go along with despair.” But, he added, “Part of the reason to be an artist is to get yourself out of bed every morning and try to do something about it, or at least cope. The thing about being an artist is that it’s so self-motivated and self-determined that it has to be an act of defiance to get through it.”

‘Rococo Remastered,’ Noel Kassewitz

Washington, D.C.-based artist Noel Kassewitz makes “climate change ready” art. Using found flotation devices and color palettes from different periods of art history – such as rococo – she makes pieces that aim to bring attention to climate change with humor.

“Today, we are facing unprecedented levels of chaos with our climate,” Kassewitz told HuffPost, “While there are myriad ways the change is occurring, one most concerning to me – an artist and Miami native – is rising sea levels.”

She has been floating down the Potomac River on her artwork, showing its buoyant abilities as well as trying to send a message to those who ignore the problem. 

“Humor catches people off guard, and through my current bodies of work I am often able spark conversations with people otherwise reluctant to engage with the topic. As for my own amusement, I imagine some day in the flooded future an art collector will be safely sitting on top of their floating artwork exclaiming, “Thank goodness we bought a Noel Kassewitz!’” 

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HuffPost’s ‘This New World’ series is funded by Partners for a New Economy and the Kendeda Fund. All content is editorially independent, with no influence or input from the foundations. If you have an idea or tip for the editorial series, send an email to thisnewworld@huffpost.com

John Oliver Hits 'Sh*thead' Trump For Attacks On Kavanaugh Accuser

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John Oliver slammed Republican defenders of Supreme Court nominee Brett Kavanaugh, who has been accused of sexual assault by two women. But on Sunday night, Oliver saved his harshest words for President Donald Trump, who tweeted an attack on one of the accusers, Christine Blasey Ford: 

“So the president cast doubt on someone who said she was sexually assaulted while also sort of implying that her parents don’t love her,” Oliver said. “To borrow a phrase, that’s one of the most shitheaded things I’ve seen from the standpoint of shitheadedness.”

Oliver was referring to Trump’s comment last week in which he said Hurricane Florence was “one of the wettest we’ve ever seen from the standpoint of water.”

See his full comments in the clip above. 

Movie Review: In Fahadh Faasil’s ‘Varathan’, Vengeance Is Stylish, But Problematic

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SPOILERS BELOW

"What was she wearing?"

Amal Neerad's Varathan (Outsider), a film that mostly deals with the daily violence faced by women until it explodes into a thriller, is commendable for one very important reason. Neither Priya (Aishwarya Lekshmi) nor her husband Abin (Fahadh Faasil) ever blame her comfortable, fitting dresses (which stand out in a Kerala village) for the fact that she is stalked and assaulted.

When we first meet them, they are an extraordinarily loving couple living in Dubai who don't exchange harsh words or display too much emotion even when Abin loses his job and Priya has a miscarriage. She convinces him that the best place to recover would be the village in Kerala where she grew up, and they make the move.

Varathan is occupied by the male gaze—the first inkling we get of this is when the couple's taxi driver from the airport adjusts his rearview mirror to focus on Priya, who immediately challenges him. When they stop at a small tea shop in the village on their way to their new home, they are confronted with the Kerala staple of the elderly man who reads a newspaper while keeping an eye on everyone and everything in the place. His piercing glare makes Priya hastily leave her grip on Abin's hand—Malayalam movies have often tended to treat the figure of the old lech who is excessively interested in what women do in a "humorous" manner, but not this one.

As the number and intensity of eyes surveilling Priya increase every day, the viewer starts fidgeting uncomfortably. From the kitchen to the bedroom to the bathroom, there is no place where she is free of the patriarchal male propensity to view every woman as just another body. While thankfully, the camera here doesn't want to titillate the viewer (we are not subjected to any bathing scenes or others of a similar nature), its positioning from the voyeur's angle makes even an innocuous activity such as Priya licking chocolate syrup off her hand while baking seem like more than it actually is. Whenever she tries to talk to Abin about this, he dismisses her fears.

Neerad ratchets up the tension and discomfort in the first half to such a point that this viewer wondered why she was paying money to feel anxious and fearful inside a theatre when she could just step outside and experience this for free.

But this is a Neerad movie, so at some point the big guns have to come out (there is even a "guns and explosives" credit) and that is when the agency slides from Priya to Abin.

After Priya is traumatised from being sexually assaulted, the viewer is shown Abin's pain at not being able to "protect" her (after she tells him that this would never have happened if her father were alive). From then on, her character becomes an afterthought (apart from one token scene at the end) whose trauma becomes an excuse for the filmmaker to show that Abin is not as passive as he comes across.

Faasil is superb as a man who is scared even of a dog on a leash and thinks that cockroaches don't necessarily have to be killed. His Abin happily makes tea for his wife and hangs out her undergarments and doesn't seem concerned that any of this would chip away at his masculinity but sometimes you can see him wondering—does she still respect me now that I have lost my job/failed to protect her from harm?

Varathan's eagerness to answer this question means that the movie becomes another (uber-stylish) thriller where a serious case of sexual assault becomes an excuse for a few punches to be thrown.

Judging from the applause in the theatre, most viewers seemed to agree with Neerad's solution.

Faasil's Abin is the suave, aspirational metrosexual man who is set up as a contrast to the boorish, less educated local men who are sexually repressed—one to such an extent that even an innocuous conversation with a classmate years ago is fodder to build an X-rated story to regale his companions.

There are allusions to sexual violence everywhere in Varathan—a man and woman are menaced and threatened for sitting in a car together, the camera lingers on a rock bearing a campaign slogan for unrepentantly sexist politician PC George and there is a strong reminder of the 2016 abduction and assault of a Malayalam actor. That incident divided Kerala's film industry into two clear camps, and the shockwaves it dealt will not go away anytime soon. Varathan is a clear indication that Kerala's young filmmakers want to engage with the subject of sexual assault seriously. Next time, hopefully, they will be more successful.


How The BJP’s Man In Goa, Manohar Parrikar, Went From Kar Sevak To Chief Minister

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Parrikar resigned as defence minister last year so that the BJP could form a government in Goa under his leadership.

On Sunday, Bharatiya Janata Party (BJP) chief Amit Shah said that Manohar Parrikar, who is currently being treated for advanced pancreatic cancer, will remain the chief minister of Goa. The opposition Congress had staked claim to power in the 62-year-old's absence, and even the BJP's allies were growing impatient at the delay in finding a "long-term" solution.

While it is not clear when Parrikar will be able to take charge of Goa again, what is evident is that the BJP is struggling to handle its leadership vacuum in the state. This doesn't come as a surprise—after all, Parrikar resigned as defence minister last year so that the BJP could form a government in Goa under his leadership. But how did the IIT Bombay alumnus emerge as the go-to man for a right-wing party in a state that celebrated its acceptance of different cultures? And how has that acceptance changed under his watch?

Ayodhya To Panjim

On a winter afternoon in 1992, Parrikar and three others entered the press room of the Panjim secretariat, which faces the Mandovi river, to recount their experience of travelling as kar sevaks to the demolition of the Babri Masjid. Parrikar was mostly silent during that informal press interaction. At the time, Goa was distinctly cocooned from all communal bedlam—minority baiting was unheard of. In a state that was then fiercely proud of its live-and-let-live amity and syncretic culture, it was considered uncultured, uncool and un-Goan to publicly speak of religious differences with anything less than respect.

Twenty six years later, most of those values stand diluted. In 2006, a madrasa was demolished and the houses of Muslims attacked over three days, while 40 accused, including two BJP office bearers, were acquitted by a court for lack of evidence.The Sanatan Sanstha, which was investigated in a bomb blast in Margao in 2009, operates proudly out of its headquarters in the temple taluk of Ponda. Its main political patron Ramkrishna Sudin Dhavalikar, a five-time MLA from Marcaim, was proposed to become Parrikar's successor, and Sanatan Prabhat, the Sanstha's daily newspaper, has been getting Goa government advertisements for years.

It was in 1994 that Parrikar and the BJP first entered the Goa Assembly. With 39-year-old Parrikar were his fellow RSS cadre Shripad Naik (currently the Union minister for AYUSH) and Digambar Kamat (who rejoined the Congress in 2005 and later became chief minister). The RSS was a fledgling force in the state then, while the soft-saffron regional Maharashtrawadi Gomantak Party, then the biggest opposition party, was pursuing an anti-brahmin, pro-bahujan samaj position. But Parrikar, who hails from the well-networked and influential Gaud Saraswat Brahmin caste, quickly overshadowed the MGP in the opposition benches. After the next election in 1999, he became the leader of the opposition in the Goa Assembly.

"He is hardworking, sincere, a workaholic. As opposition leader he was so sharp, agile and incisive in his arguments. He made a mark for meticulously looking at the numbers, detailing corrupt deals of the then government," said BJP state general secretary Sadanand Shet Tanavade.

The image of an anti-corruption crusader was further established when, in a career-defining move as Goa's first BJP chief minister in 2000, Parrikar had three former Congress ministers arrested for "scams".

"He came as a breath of fresh air. People were fed up of the Congress and he got good coverage in the press. Unfortunately, he soon surrounded himself with hangers-on in the media. But he made his name as an anti-corruption crusader in his first term and that image served him for a long time," said Raju Nayak, editor of Marathi daily Lokmat.

He came as a breath of fresh air. People were fed up of the Congress and he got good coverage in the press

Each of Parrikar's terms at the helm—2000-2002, 2002-2005, 2012-2014 and 2017—was marked by police action, arrests and investigations against a slew of Congress leaders. In later years, this took the form of a ruthless witch-hunt that kept the opposition fearful and enfeebled, the threat of police investigations rendering the critical institution of the opposition ineffective in a parliamentary democracy.

"Cases have been kept hanging over politicians for years. But why take people into custody for matters that can be decided by documents? Politics shouldn't be run through revenge and vindictiveness," said political analyst and lawyer Cleofato Almeida Coutinho.

It's ironic, therefore, that as Parrikar is being treated at New Delhi's All India Institute of Medical Sciences, he may be added as a party to a Goa Lokayukta case on a Rs 1.44 lakh crore mining lease renewal investigation that involves a 2014 decision taken by his cabinet.

In Goa's capricious political scene, Parrikar bested the Congress—whose leadership glut made it prone to mindless toppling games—more than once

Power brings its own compromises, and Parrikar's uber-effectiveness when in the opposition put him in a spot when the BJP came to power in 2012 with a majority. The party's inability to deliver on its promises to evict casinos and recover illegal mining money—despite skewering the Congress on these issues while in opposition—got him dubbed as a "U-turn CM". When Parrikar welcomed to his party Mauvin Godinho, whom he had acted against in 2001 for corruption while the latter was in the Congress, he described his own earlier charges as "not a scam, but an attempt to scam".

In Goa's capricious political scene, he bested the Congress—whose leadership glut made it prone to mindless toppling games—more than once.

"He's proved to be an ace strategist, not averse to dissolving the house without cabinet approval as he did in 2002. One day the law could be set on opponents, the next day a compromise could be worked out if it suited him. Small parties that could eat into the Congress vote base were adroitly positioned in past elections," said Coutinho. Such was Parrikar's relationship with politicians such as Churchill Alemao, Atanasio Monserrate and Francisco Pacheco.

'Transforming' Goa

Parrikar's decisive approach to time-bound project management catapulted him to national attention soon after he became chief minister for the first time.

"Parrikar has a vision for a new Goa, takes bold decisions, undertaking massive infrastructure projects that have transformed Goa and strengthened connectivity with dozens of bridges. The development of Goa that started under Congress's Pratapsingh Rane was taken a step ahead under Parrikar and later Digambar Kamat," said Nitin Kunkolienkar, former president of the Goa Chamber of Commerce and Industry.

From 2012, Parrikar foregrounded the controversial Mopa greenfield airport, four-laning of district roads and widening of village roads, easing the way for industry and real estate development in Goa to take off. Since 2015, he enthusiastically supported the centre's Sagarmala and Bharatmala projects—eight-laning of the North-South and East-West highways for container cargo traffic, a coal corridor and nationalisation of Goa's rivers. Citizens and NGOs protesting environmental degradation, deforestation and displacement found themselves brushed off when the BJP was in power and encouraged when the Congress was in office.

Political observers say that while Parrikar undoubtedly has charisma, his immense self-belief can often blind him to other opinions and possibilities.

He steamrolled domestic opposition to tear down government buildings, including health facilities and a football stadium, and pumped in Rs 100 crore to deliver Goa as the permanent location of the International Film Festival of India (IFFI) in 2004. Goa's IFFI never came anywhere close to the Cannes gala it sought to clone—the Comptroller and Auditor General of India found "financial irregularities" and "flawed tenders" in the 2004 festival—but its aura positioned the state as India's riviera playground and Parrikar as the lauded architect. National and international realtors swooped on Goa, altering the political and cultural landscape of the state.

Parrikar (right), actor Aamir Khan and others at the inaugural ceremony of the IFFI in 2004.

"Although he is projected as a development man, I would call it corruption-friendly development, undertaken even where not required and through an unaccountable body bypassing the Public Works Department. Smart city funds are being wasted in Panjim city on sculptures and beautification, when in some areas, people do not have two hours of potable water and proper sanitation" says Goa Congress president Girish Chodankar, who lost to Parrikar in the 2017 Panjim byelection.

Image Matters

"As a problem solver, negotiator and administrator, he can unknot vexed issues. I've seen him wade into crowds with his trademark casual unpressed bush shirt-trouser-floaters ensemble—that was part of his image from MLA to leader of opposition, to chief minister to defence minister—and talk straight to the common man on the street, rather than take his views from bureaucrats," said BJP South Goa MP Narendra Sawaikar.

Parrikar's modest upbringing and Goa's comparatively less-hierarchical society have served him well in his interactions with Goans. He handpicked the most efficient bureaucrats for his core team, worked out complex financial relief packages when mining stopped, crafted cyber-age computer schemes for teens and doles for housewives and senior citizens—all of these brought electoral dividends for the BJP, though more recently, the schemes' mishandling has come under criticism from the Comptroller and Auditor General's office.

Once in a while, Parrikar's suave, polished mask would slip and national attention would be drawn to the "brashness" most Goans were already familiar with.

"Image matters a great deal to him. He has often phoned me or some critic up to fire us for a press article," said Lokmat's Nayak.

Still, Parrikar has had it easier than most politicians with a local media that's increasingly pro-saffron. Critics also point to the easing out of inconvenient editors and journalists for more pliable ones.

Once in a while, Parrikar's suave, polished mask would slip and national attention would be drawn to the "brashness" most Goans were already familiar with.

In the power struggle within the BJP ahead of the 2014 polls, Parrikar threw in his lot with Narendra Modi and Amit Shah—his indecorous "rancid pickle" comment on senior leader LK Advani in 2009 was a precursor of the rift that was to come. In 2016, while Parrikar was defence minister, his churlish "has to be taught a lesson of his life" reference to Aamir Khan's comments on intolerance also received flak.

Parrikar's Legacy

"Parrikar's and the BJP's reign in Goa allowed the RSS to increase its footprint of schools and institutions in Goa," said educationist Prabhakar Timble. Vidhya Bharati schools, affiliated with the RSS, have been increasing in Goa.

The issue of control of schools has been lurking beneath the surface in Goa, with the RSS pitted against the Roman Catholic Church.

Government grants to 130 Archdiocese-run schools had blown up into a major conflict between Parrikar and his RSS mentor, the dismissed Goa Vibhag Sangh Chalak Subhash Velingkar, in 2016. Parrikar was defence minister at the time, but visited the state almost every weekend, and was still considered to hold the reins.

In 2001, he had had to backtrack on his attempt to hand over non-functional government primary school premises to saffron trusts when liberals across communities opposed the move. Other moves to heighten the divisive pitch and polarise politics in Goa—distribution of videographed anti-Christian history to schools, attempts to cancel Christian and Muslim holidays including Gandhi Jayanti—all effected under Parrikar, got a pushback from citizens.

Despite moves to polarise society, Goa's composition—Christians comprising 25% and Muslims 8%— meant the BJP repeatedly failed to gain a majority on its own, until the party and Parrikar effected an image makeover designed exclusively for Goa.

This meant downplaying the national BJP's anti-minority hawkishness, sheathing its Hindutva image and later, pointedly keeping Ram Sene chief Pramod Muthalik out of Goa. Parrikar also cultivated a section of Christian upper-caste business and professional elites, did photo-ops with the Archbishop, and offered a chunk of seats to lightweight, amateur Christian politicians whose business interests needed a political crutch. The strategy worked—BJP got 21 out of 40 seats in 2012, and eight of its MLAs were Christians. Even in 2017, though the BJP's count plummeted to 13 seats, Christian legislators formed more than half its tally. With some nimble alliance-building, backed by a BJP government at the centre, Parrikar kept the Congress out of power though it was the single largest party.

"He may be a hero to some, but he has destroyed democracy in Goa. Even in co-operative and local body elections, the attitude is that either my nominee wins or the institution suffers. Police and government machinery will be used to crush all opponents, by foul, illegal and immoral means. Democratic norms have been thrown to the wind so many times in assembly to see that power does not go to someone else. All competition is destroyed and this is more prevalent in his own party, where anyone who raises questions either did not survive or did not grow." says Chodankar.

While Parrikar has built up and dominated the BJP in Goa, there is growing pressure from bahujan samaj groups and its party cadre for greater roles for leaders such as Naik. Right now, as Goa waits to see what will happen, there are only murmurs within the party. But bahujan samaj leaders are coalescing across party lines to demand greater access to the top job.

Brett Kavanaugh Claims Past Virginity As Defense Against Sexual Assault Claims

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Supreme Court nominee Brett Kavanaugh’s latest defense against two sexual misconduct allegations is that he was a virgin in high school and for “many years thereafter.”

Kavanaugh claimed he couldn’t have sexually assaulted anyone as a teenager because of his virginity in a Fox News interview on Monday. Dr. Christine Blasey Ford, who goes by Christine Blasey professionally, has accused him of attacking her at a party more than 35 years ago when they were both in high school.

Kavanaugh and Blasey will give their separate accounts of what did or did not happen on Thursday before the Senate Judiciary Committee.

“We’re talking about allegations of sexual assault. I have never sexually assaulted anyone,” the nominee told Fox News. “I did not have sexual intercourse, or anything close to sexual intercourse, in high school or many years thereafter.”

Blasey alleges that Kavanaugh pinned her down, groped her and attempted to take off her clothes during a party. She contends that he was drunk at the time and that he only stopped after a classmate threw himself on top of them, giving her a chance to run away.

It should go without saying that virginity does not mean a person is not capable of drunkenly groping another person against her will. 

A second woman, Deborah Ramirez, has accused Kavanaugh of exposing himself and thrusting his penis at her face when they were both college students at Yale during the 1983-1984 school year. Ramirez says that they were both intoxicated at that party and that she isn’t entirely sure of her memories. 

The New Yorker, which first published Ramirez’s account on Sunday, was not able to independently confirm if Kavanaugh was at the Yale party she described, but interviewed several of Ramirez’s classmates, who recalled hearing about the alleged incident in vague terms.

Kavanaugh has also pointed to a letter signed by 65 women he has known for decades attesting that the judge has always treated them with “decency and respect.” Again, this letter is not evidence that he did not commit sexual assault. A person can treat hundreds of women well and still mistreat some other women.

Fake Photo Of Trump 'Rescuing' Flood Victims Goes Viral

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An edited photo that appears to show President Donald Trump floating in a raft, extending a red Make America Great Again hat to a flood victim, has gone viral in the wake of Hurricane Florence.

As New York Times reporter Kevin Roose pointed out on Twitter, the pic is a fake ― it was taken in Central Texas in 2015, long before Trump was elected president, and he definitely wasn’t in that raft.

Still, that hasn’t stopped people from sharing the photo more than 275,000 times on Facebook since it was first uploaded on Sept. 16, 2017, according to RawStory.

The original photo ― which can be found on CNN’s website ― actually depicts three rescuers with the Austin Fire Department reaching out to help a man clinging to a chain-link fence.  

Snopes pointed out that it’s fairly easy to figure out that the photo is a fake because Trump isn’t wearing a life vest ― unlikely during a dangerous flood ― and presidents generally do not personally take part in rescue operations after disasters. 

And though the president has actually thrown paper towels at hurricane victims, you could argue that a MAGA hat isn’t the most helpful thing to offer a person stranded in waist-high water.

Roose said he couldn’t figure out why Facebook would allow such an obviously fake photo on its platform.

Others lamented that people might believe the photo captured a real event.

But the photo might just be an attempt to lampoon the Trump administration. And it probably won’t be going away any time soon.

Love India, Give My Regards To My Friend PM Modi: Donald Trump Tells Sushma Swaraj

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U.S. President Donald Trump chats with Prime Minister Narendra Modi during a working session at the G20 leaders summit in Hamburg, Germany July 8, 2017

UNITED NATIONS -- "I love India, give my regards to my friend PM (Narendra) Modi," US President Donald Trump told External Affairs Minister Sushma Swaraj as they exchanged pleasantries during a high-level event on counter-narcotics here on Monday.

As Trump left the podium at the conclusion of the event hosted by him at the United Nations, US Ambassador to the UN Nikki Haley warmly hugged Swaraj and introduced her to the president.

When Swaraj told the US president that she has brought greetings from Prime Minister Narendra Modi, Trump responded: "I love India, give my regards to my friend PM Modi, Indian diplomatic sources told PTI.

Swaraj attended the Global Call to Action on the World Drug Problem chaired by Trump as the high-level week of the 73rd Session of the UN General Assembly began here.

Co-Produced By India, Irrfan Khan-Starrer 'Doob' Is Bangladesh's Official Entry To The Oscars

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Irrfan Khan in the trailer of 'Doob'.

Doob (No Bed Of Roses in English)—a film by Bangladeshi director Mostofa Sarwar Farooki—has been selected as the country's official entry to the Oscars 2019. The film will be competing with India's official entry, Rima Das' Village Rockstars, to be shortlisted in the category of 'Best Foreign Language Film'.

Bangladesh's Jazz Media got together with Eksay Films from West Bengal and Irrfan Khan's IK Company to produce the film which stars both Bangladeshi and Indian actors, reports Variety Magazine.

At a time, when the word 'Bangladesh' has complicated implications in India's political narrative, the success of Doob is indeed heartening. According to various articles, Doob revolves around the life of a writer and filmmaker who falls in love with someone much younger than himself.

The film ran into trouble with Bangladesh's censors as it was alleged that the plot of the film and the character played by Khan had too many similarities with the life and work of celebrated Bangladeshi writer and director Humayun Ahmed.

On his film being selected as the official entry to the Oscars 2017, Farooki wrote on Facebook, "Thank you all who supported our humble effort. I don't want to mention everyone's name as the list would be too long. This is a film which is very close to my heart and you all, who supported me starting from my producers, wonderful casts, my team, festival programmers, critics, friends, well wishers, are also very close to my heart. I love you all!"

Farooki had told Variety magazine, after his film's 'no objection' certificate was cancelled, "As the order does not explain any reason, I don't know why they thought screening of the film would be inappropriate. Yes, my film handles a so-called taboo subject but it doesn't show anything explicit and hence doesn't violate any censor code. This goes against the freedom of expression."

UPDATE: 45 IIT Roorkee Students Safe In Sissu Area Of Spiti, Says Himachal CM Jai Ram Thakur

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Representative image.

Update: Himachal Pradesh Chief Minister has said that the 45 students from IIT Roorkee who had gone missing in Lahaul-Spiti were safe.

Meanwhile, IIT officials have told Huffpost India that the students had reached base camp and arrangements were being made to for communicating with the students.

They said the students may be rescued by chopper.

Others have also been rescued, reported ANI:

Forty-five students from IIT Roorkee went missing from the Lahaul-Spiti district in Himachal Pradesh after heavy snowfall and rains in the state.

Reports say that they had gone trekking in mountainous regions and families have lost contact with them.

Rajvir Singh, the father of Ankit Bhati, one of the students who has gone missing, told ANI that the group had gone trekking to Hamta pass in Kullu and were supposed to have returned to Manali.

ANI reported that several others, including foreigners, have gone missing.

Himachal Pradesh has seen heavy snowfall and rains in the last few days affecting daily life in the state.

PTI reported that the Lahaul-Spiti district saw heavy snow fall with the Rohtang Pass receiving over 1.5 feet of snow.

The report said Manali in Kullu district received the highest rainfall of 127.4 mm, followed by Dharamshala (125.2 mm), Una (124.2 mm), Gagret (118 mm), Jogindernagar (115 mm), Sujanpur (112 mm), Bharwain (110 mm), Nadaun (104 mm), Baijnath (97 mm), Kangra (97.5 mm).

The Times of India reported that two people had died in the rainfall.

Crops were also damaged in the state.

19 TV And Movie Characters You Didn't Realize Were Bisexual

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When Robin Gee, a 24-year-old illustrator from Wisconsin, sees a bi character on TV or in a movie, she sits up and takes notice. While we’re beginning to see more content that delves into the gay experience, historically it’s a lot less common to see bisexual characters onscreen.  

The good news? That’s finally starting to change. In celebration of Bi Week, which began Sunday, Gee highlighted her favorite fictional bi characters in a recent Twitter thread.

She started things off with Rosa Diaz, everyone’s favorite curmudgeonly cop from “Brooklyn Nine-Nine.”

Darryl from “Crazy Ex Girlfriend,” of course, made the list:

The illustrator included some classics, too, like Wonder Woman, who a DC writer confirmed was bisexual back in 2016. (Gal Gadot said the same leaning likely holds true for her cinematic version. “She can be bisexual. She loves people for their hearts,” the actress told Variety in 2016.)

Others started chiming in with their bi faves as well, including “Game of Thrones’” legendary lover Oberyn Martell:

And Casey Gardner from Netflix’s “Atypical”

While it’s a fun Twitter thread, it highlights a very serious point: Bisexual representation matters. The more fluid and diverse our fictional characters are, the more likely we are to see their real-life counterparts as nuanced and interesting, rather than as empty stereotypes.

That’s especially important for members of the bi community, who are often rendered invisible or misunderstood within the LGBTQ+ community and in general. (Bisexual erasure is a huge issue.)

Plus, up until recently, most bi characters were portrayed as overtly sexual or, as Gee described it, painted with an unfair “slutty bisexual” brush.

“True representation means that there are enough bisexual characters [on TV and in movies] that we’ll start to see bi characters who are monogamous, non-monogamous, good, evil, morally gray, and who aren’t just white, able-bodied thin people,” she said. 

Needless to say, she’s heartened by the current crop of fictional characters who are into men and women. 

“I’m so excited ― and, not going to lie, a little jealous ― of the kids who get to grow up right now and see people other than straight white men getting to be full, three-dimensional characters,” she said. 

Scroll down for more of Gee and others Twitter users’ favorite bi (and likely bi) characters.


Models Wearing 3 Breasts Strut Down The Runway At Milan Fashion Week

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An Italian streetwear line called God Can’t Destroy Streetwear ― also known as GCDS ― put on a show to remember at Milan Fashion Week on Saturday. 

Giuliano Calza, the co-founder and creative director of GCDS, sent models down the runway with three breasts, all apparently prosthetic. The cropped neon GCDS shirts with black bands barely covered the models’ assets.

Calza wanted the show to reflect topics like the future of the environment and pollution, among other matters, he told HuffPost in a statement. 

A model walks the runway at the GCDS show during Milan Fashion Week on Sept. 22, 2018, in Milan.A close-up of the three-breasted look.

Calza also said he sent the models down the runway wearing three breasts for a very personal reason. 

“Two years ago my mum had a breast cancer and it was such a wake up call of what’s future gonna be about? So I put all my strength into offering a imaginary world where I could express my self,” he wrote.

“Three breasts is not only a ‘Total Recall’ homage but also a political statement, in a moment where culture and art need more feeding than ever, three breast might be useful.” 

Would you wear this look? A model wearing three breasts at the GCDS show on Sept. 22, 2018.

Diet Prada, an influential fashion Instagram account, noted how the models looked similar to the three-breasted sex worker from the 1990 Arnold Schwarzenegger movie “Total Recall,” as Calza indicated in his statement.

What an homage.

Calza, who created GCDS in 2014, described the label as “fun, independent and ironic” in an interview with The Flowhouse earlier this year. 

“I want to create scenarios and imaginary fashion places where real clothes for everyday life can cheer you up,” he said, later adding that he pushes for “beauty and unconventional ideas” in his work. 

The three-breasted models aren’t the craziest thing eagle-eyed fashion fans have seen on the runway this year. 

At the Kaimin show at New York Fashion Week in February, the design house sent models wearing “vagina mohawks” down the runway, apparently achieving the look using merkins, or wigs resembling pubic hair, which can be seen in the photos below.

“Kaimin chose to represent diversity, uniqueness, and acceptance of individuality with the life-giving human vagina — which was alluded to in the artistic videos projected during the show and was emphasized by the mohawk on the runway,” Kaimin said in a release shared with HuffPost. 

A model walks the runway at the Kaimin show during New York Fashion Week on Feb. 12, 2018 in New York City.A model walks the runway at the Kaimin show. 

The same month, Gucci sent two models down the runway carrying special replicas of their severed heads at Milan Fashion Week. Talk about spooky.  

A model presents a creation from the Gucci Autumn/Winter 2018 women's collection during Milan Fashion Week on Feb. 21, 2018.What a nightmare! Yet another severed head. Truly too realistic. 

What will we see on the runway next? 

This story has been updated with a statement from Giuliano Calza.

Vedas Are Replete With Beef Eating Hindu Gods, Says India's Leading Indologist

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Depiction of Indra, Hindu god of rain and heaven.

In conversation with The Telegraph, Nrisingha Prasad Bhaduri, a leading Indologist and expert in Vedic scriptures, has discussed various references to beef in India's ancient and religious texts.

"The Vedas encapsulate the essence of Hindu dharma. They are replete with instances of sages and even gods consuming beef. In fact, a guest in a Hindu household used to be referred to - according to the Vedas -as ' goghna' or he who is served beef as part of the hospitality ritual," he said.

Beef has become a political issues since the Narendra Modi-led Bharatiya Janata Party government swept to power in 2014. Self appointed gau rakshaks have used religion to justify violence against Muslims and Dalits, the two communities which rely on cattle for their livelihood.

Academics like Bhaduri and D.N. Jha, the historian from Delhi University who authored The Myth of the Holy Cow, have argued that the Hindu right misrepresents India's ancient history to serve political ends.

Speaking to Frontline magazine in 2015, Jha said, "The cow was neither unslayable nor sacred in the Vedic period."

"The views of the Sangh Parivar on the cow issue are unprincipled and hypocritical. K.R. Malkani, its one-time ideologue, said as early as 1966 without equivocation that flesh of cows dying a natural death can be eaten. How does it go with the Parivar's foolish demand for a blanket national ban on cow slaughter?" he said.

While speaking to The Telegraph, Bhaduri said that it was customary for cows to be offered to priests in the Vedic age. In fact, he said, beef was a compulsory offering.

Indra, who Hindus believe is the god of rain and heaven, ate beef, according to the academic. The Rig Veda, he said, mentions that Indra asks to be served 15 to 20 cooked oxen.

Citing the Shatapath Brahman, a Vedic text, and Yajnavalkya, an ancient philosopher, Bhaduri, said, "'I eat it (beef) only if it is cooked till it is tender'."

Read the full interview with the The Telegraph.

Rewari Gangrape Survivor Misses Exam For Government Job That She Spent Months Preparing For

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Representative image.

The survivor of the gangrape in Haryana's Rewari, who is still recovering in the hospital, has missed an exam for a job that she had taken months to prepare for.

The 19-year-old, who was gangraped on 12 September, was supposed to appear for the exams on 19 September.

The Indian Express reported that she was kidnapped by two of the men while she was on her way to the coaching centre, where she had enrolled to prepare for the exam for a government job.

The woman, the report said, has still not gained complete consciousness, making it impossible for her to appear for the exam.

The fee for her coaching was more than the money that her father earned as a school teacher.

The survivor was a good student and was good in extracurricular activities as well.

The father of the girl told The Indian Express that, "She scored very well in her Class 10 and we were invited to attend a function in Delhi. That was the first time I visited Delhi... While the students were put up in a hotel near Jantar Mantar, there were no arrangements for the parents. I didn't mind, though. It was a proud moment for us."

The girl was a topper of the Class XII exam in the Rewari area.

The police on Sunday arrested an Army jawan, Pankaj, and his friend Manish—two of the key accused in the case after 11 days of raids.

Three others, Nishu, Sanjeev and Deen Dayal, had been arrested on 16 September.

Superintendent of PoliceNazneen Bhasin told The Hindu, "The two buried their phones. They did not have enough cash and took help from the petty criminals."

Nishu, Pankaj and Manish are said to have kidnapped and drugged the girl when she was on her way to the coaching centre. They reportedly took her to a room housing a tubewell, where they gangraped her.

Candidates Must Declare Criminal Antecedents To EC Before Contesting Polls: Supreme Court

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The Supreme Court of India in a file photo.

NEW DELHI -- The Supreme Court on Tuesday held that all candidates will have to declare their criminal antecedents to the Election Commission before contesting an election, saying criminalisation of politics in the largest democracy is "unsettling".

A five-judge Constitution bench, headed by Chief Justice Dipak Misra, said that citizens have a right to be informed about the antecedents of their candidates.

In the unanimous verdict, the bench, also comprising Justices RF Nariman, AM Khanwilkar, DY Chandrachud and Indu Malhotra, said that political parties are obligated to put all the information about their candidates on their websites.

It asked the legislature to consider framing a law to ensure decriminalisation of politics.

The bench said that informed choice is the corner stone of democracy and termed criminalisation of politics of the largest democracy as "unsettling".

The apex court favoured wider publicity, through print and electronic media about the antecedents of candidates affiliated to political parties.

The verdict was pronounced on a batch of pleas raising a question whether lawmakers facing criminal trial can be disqualified from contesting elections at the stage of framing of charges against them.

The status before the filing of these petitions was that lawmakers were barred under the Representation of Peoples (RP) Act from contesting elections only after their conviction in a criminal case.

The verdict was reserved on 28 August.

Anurag Kashyap Had A Genius Response When A Fan Asked Him To Release A Shortened Version Of Manmarziyaan

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A file photo of Anurag Kashyap.

Anurag Kashyap, who has been earning accolades for his recently released romantic drama Manmarziyaan, had a strange encounter with a fan on Monday.

One of the criticisms of the Abhishek Bachchan-Taapsee Pannu-Vicky Kaushal-starrer was that it was too long.

Plenty of critics noted this and wrote that the film could have been a bit shorter in the second half.

However, on Twitter, one fan took this to another level. He tweeted at Kashyap, requesting him to trim down the film, make it 'crisper' and release it digitally.

Not one to take unsolicited advice seriously, Kashyap had a witty clapback.

He responded to the Tweet, saying, "Film hai... French Fries nahi hai...."

As far as the editing goes, the film courted controversy after the producers (Colour Yellow and Eros) edited out scenes that showed Bachchan's character Robbie, who plays a Sikh, smoking. Kashyap has called out the censorship by the studio as the film had been cleared by the Censor Board.

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